![]() Even in Korn, I’m pretty sure he was still using his MKIV. I don’t recall ever seeing him with anything but the MKIV, Diamond, EVH and now Kemper. Animosity and the first Dark New Day album were just insane tones. ![]() I’ve been bugging Clint for years to use his MKIV again because I LOVED his tones using that. Comparing a model to album tones is even more iffy than comparing it to an amp a person has played. There could be all sorts of other amps thrown into the mix. I actually just happened to watch an interview with Lowery yesterday with him talking about it.Īnd Korn using Triples during whatever period of time really just matters in that it makes it more difficult to figure out what Rectifier revision they were using at a given time.Īnd, bringing it slightly back on to the topic of this thread before I actually stop this tangent: trying to figure out an amp model to use based on album tones is super complicated. Sometimes those amp diagrams aren't accurate.Īnd Clint Lowery used the Mark 4 for his rhythm tone until he went to Diamond, and I believe Connolly has been a Randall guy for the band's entire existence. Backline on a festival doesn't really mean anything. I just went and googled to double check, and all the actual pictures of Tribbett's rig from every period ARE Randall or VHT. Still gallery to me sounds like a big wet fart, the palm mutes are noticeably sloppy and out of control. It may sound somewhat in control on the record to you but that’s after low cut and hi cuts etc. Their sounds are looser sounding on purpose. If you are putting a TS pedal in front of the dual you are taking out a lot of low end that most of these bands I don’t think are trying to get rid of as much. I find it pretty dang easy to get in the ballpark at least of the cannibal tones, personally I’m not into nu metal so I’ll just avoid that topic. They used modded metal zones and maxon ST9. The solid state tone they had on tomb was far superior to me.Ĭannibal corpse have purposely used boosts that don’t carve out as much low end as a typical tube screamer type pedal for their out of control massive sound. Kinda unique in a way, personally too me it sounds too out of control. In our first exchange I recommend the precision drive cause I thought you said the recto sounds too loose, but honestly the tone on gallery of suicide IS loose, like it doesn’t sound like the engineer even tried very hard on that album to clean up the sound as much as possible while retaining the filth. But in my opinion the tone is extremely loose sounding and if that’s what you’re after I’m not sure what’s so difficult with the recto 1 model. So I just listened to gallery of suicide and the tone is a rectifier boosted with a metal zone btw. The new Cannibal Corpse album that just got released is back on the Duals as well and certainly sounds like the older ones.Ĭlick to expand. ![]() ![]() But there is no question that the nu-metal era was a very refined sounding rectifier with a soft top end than later versions or triples which I find edgier. The only band of the era that was not on them was Deftones.Īll these other rigs you cite are whey whey after the fact and of a later era. But the album before that, take a,look in the Mirror, very obviously dual recs of that specific version.Įveryone in the nu-metal era who wanted to have that nu-metal sound was on Duals. And Korn's See you on the other side release was the switch to triples. You can tell Korn went to the triples after Head left.Triples have more of a buzzsaw sound than duals which are smoother and have the characteristic late 90s early 2000's sound. You can ask anyone in their debut era it was all dual recto. ![]()
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